谁能介绍一下leessang阿?韩国的.(leessang解散)

　　我知道两个成员之一姜gary，与宋智孝在RM中组成周一情侣。外号－平和gary，在RM中表现很棒！话说我是RM迷，建议亲也去看看啊

　　leessang组合（概况）
　　2人组leessang是很棒的hip-hop组合，成员分别为Gary和Gill 。
　　Gary 真名Kang Hee-gun（강희건） 中文名 姜熙健 生日 1978年2月24日 身高体重 174cm， 63kg 血型 A型 爱好 星际争霸 运动特长 拳击 现为SBS周末综艺节目《Running man》固定MC之一 Gill 真名Gill Seong-joon（길성준) 中文名 吉成俊(非官方译名） 生日 1977年12月24日 身高体重 178cm, 90kg 血型 A型 爱好 钓鱼 运动特长 拳击 女友 朴贞雅（已分手） 曾出演夜晚综艺节目《夜行星》，现为无限挑战 HT3固定成员之一 他们的首张专辑《Leessang Of Honey Family》，他们一共发行了六张专辑和一张精选辑，第三张专辑中的《我不是在笑》获得了2005年SBS歌谣大赏的music Video奖。Leessang的音乐追求放松和灵活， 听过他们的音乐不得不承认他们在hip-hop 音乐的天分。凭借与郑仁合作的《不能分手的女人,不能离开的男人》，他们在2009MAMA获得最佳HIP-HOP歌曲奖。
　　编辑本段专辑及曲目
　　第一张专辑名: Leessang Of Honey Family
　　发行时间: 2002年06月 地区: 韩国 版本: 专辑 语言: 朝鲜语 曲目 01.Intro 02.출사표 03.조까라 마이싱 04.Yes 05.Rush 06.7470 (My Frenz) 07.컨디션 08.인생은 아름다워 09.대한늬우스 10.E-Na-Ra 11.Street 노가리 12.Luv 13.으라차차 (Wake Up) 14.빛좋은 개살구 2 15.Warmin' Up 16.끝으로 第二张专辑名: 재, 계발（再，启发） 发行时间: 2003年05月22日 地区: 韩国 版本: 专辑 语言: 朝鲜语 曲目 1.Street Turret song II 2.Fly High 3.SPAIN 4.Slow Down 5.The pulse (Interlude) 6.The pulse 7.matter-Life 8.The tail 9.Alcohol man 10.83.1 11.Still 12.The beautiful reminiscence 13.Beautiful in the life (Big Mama King Version) 14.x2
　　第一张精选辑名: Special Jungin
　　发行时间: 2004年03月05日 版本: 精选辑 地区: 韩国 语言: 朝鲜语 曲目 1. Love Is(Song Jungin) Hidden 2. Bury Him(Song Jungin) 3. Sad Song (Feat The One) 4. Man Story My Way 5. Rush(Feat Jungin) 6. Determination 7. Jo Ka Ra Mycin 8. 7477(Ma Frenz) 9. Luv(Real Story) 10. U Ra Cha Cha Wake Up 11. Life Is Beautiful 12. Leessang Blues 13. Spain 14. Slow Down(Feat Kim B S) 15. Gun Life(Feat NaNa) 16. Alcohol Man 17. 831 18. Fly High(Feat Jungin Ha Rim)
　　第三张专辑名: Library of Soul
　　发行时间: 2005年10月13日 版本: 专辑 地区: 韩国 语言: 朝鲜语 曲目 1 INTRO 2 我不是在笑 3 城市周期 4 无限 5 simple life 6 jjj 7 愤怒 8 Uijongbu song 9 skit 10 欺骗 11 青春 30 w 12 never.. never. with ALI 13 outsider
　　第四张专辑名：Black Sun
　　发行时间: 2007年5月17日 版本:专辑 地区: 韩国 语言: 朝鲜语 曲目 01. 007 02. Ballerino 03. 像电影一样 04. 江边生活 Skit 05. 父子 (Project) 06. Sunshine 07. 如果要活的话 08. Vegabond LeeSSang 09. Dead Phone (Intro) 10. Dead Phone 11. 斗魂 12. 为了谁的人生(生死决断 O.S.T.) 13. 我不是在笑 (Remix) 第五张专辑名：백아절현（伯牙绝弦） 发行时间: 2009年1月8日 版本: 专辑 地区: 韩国 语言: 朝鲜语 曲目 01.Intro(feat.Unkown DJ)02.River To Ocean 03.Surviver 04. In The Beginning 05.我…… 06.驿马命 07.优胜者 08.人啊…… 09.Street 小明太鱼3 10.盖里和吉里2 11.走向毁灭 12.Ballerino Remix 【注】其中主打歌“冠军”的MTV 是为了纪念在08年初去世的拳击选手崔尧三而特别创作的，为此MV也做成了纪录片的形式，回顾了崔尧三选手的生平。
　　第六张专辑名: Hexagonal
　　版本: 专辑 发行时间: 2009年10月06日 地区: 韩国 语言: 朝鲜语 曲目: 1. Hexagonal (feat. Enzo。Intro) 2. 우리 지금 만나 (feat. 장기하와 얼굴들)（我们现在见吧） 3. 헤어지지 못하는 여자, 떠나가지 못하는 남자 (feat. 정인) 不能分手的女人,不能离开的男人 (feat. 郑仁) 4. Carousel (feat. 이적) 5. 변해가네 (feat. 정인)（变了） 6. 부서진 동네 (feat. Lucid Fall)（支离破碎的村落） 7. 일터 (feat. Bizzy)（工作岗位） 8. Journey (feat. Casker) 9. Dying Freedom (feat. 김바다) 10. 벌칙 (Skit)（犯规） 11. 운명 (feat. Malo)（命运） 12. Canvas (feat. Tiger JK, Dynamic Duo, Bizzy) 13. Run (feat. YB) 14. To. LeeSSang 15. 내 몸은 너를 지웠다 (Skit)（我忘掉了你） 16. 내 몸은 너를 지웠다 (feat. Enzo.)（我忘掉了你） 主打歌:不能分手的女人,不能离开的男人，MV主演为李孝利 　　Black Flag

　　始终保持着年轻的焦虑，Black Flag（黑旗）乐队无愧为纯朋克摇滚的典范。重金属的即兴反复、急速的鼓点以及充满城市谩骂的歌词，Black Flag简直就是一架强烈攻击性的机器。如果你去深入了解他们，你将发现他们没有丝毫的温柔。
　　成立Black Flag的构想来自加利福尼亚的一个说话迟钝但却有着敏锐的商业意识和深厚音乐基础的音乐人Greg Ginn（格雷格·金），他成为了Balck Flag的吉他手，并且由此成立了著名的SST唱片－－在很多年内被看作是南加州硬核摇滚的阵地。金的吉他演奏简直就是不折不扣的攻击，加上一些奇怪的吉它反复，这使得同时期的那些英国朋克领袖们也要虚心的向Black Flag学习。乐队歌词充满了朋克青年的颓废、对社会的抱怨、以及对自己毫无社会价值的一种满足等等。

　　1981年，乐队开始自己硬核朋克典范乐队的路程，邀请了凯德那（Cadena）担任专职节奏吉他手，请来了乐队初期的忠实乐迷和经济赞助者－－冰淇淋店的老板亨利·罗林斯（Henry Rollins）。罗林斯的到来，让金可以全心的投入到唱片公司的发展上去，在金的努力下，Black Flag五年内推出了十多张专辑。罗林斯参与创作了专辑《My War》，之后乐队以罗林思的诗歌谱写了专辑《Family Man》。罗林思的歌词将攻击性调和以他的才智，这让乐队的新老专辑风格都会有很大的不同。

　　美国朋克真正的黄金时期还是在八十年代初的硬核时代，从音乐角度来说，硬核不过是更加极端的朋克摇滚，更加脏乱、吵闹、僵硬。但这个时代的乐队，第一次把朋克音乐扩展为一种全面爆发的运动。他们的影响也比CBGB时代要深远得多，它的审美方式也被后来的激流金属、速度金属、死亡金属、碾核、垃圾乐、另类金属、朋克复兴运动乃至整个另类摇滚乐界发扬光大，并最终促成了九十年代垃圾乐、朋克复兴的主流化。

　　Black Flag(黑旗)无疑是当时最出色的代表。他们不仅保持了朋克一贯的冲劲，而且结合了爵士乐、重金属、噪音摇滚等风格，创造出更加丰满的音乐氛围，成为美国朋克史上第一支具有深远影响的硬核朋克乐队。他们不仅界定了自己的硬核审美观，而且在朋克和重金属之间找到了完美的结合点，为日后的激流金属和朋克金属奠定了坚实的基础。Black Flag复杂的音乐元素、波西米亚风格的试验色彩、诗化的歌词在八十年代名噪一时，成为当时地下音乐最具哲人风采的硬核乐队。

　　1981年Black Flag因对Unicorn(麒麟)唱片公司以“内容过于危险、粗俗”为由封杀专辑《Damage》的行为大为不满，一怒之下成立了他们自己的SST公司的名义发行了这张硬核经典。结果是，乐队在专辑被惊叹为“地下世界的曙光”的同时被麒麟公司告上法庭，陷入了一场旷日持久的官司，乐队甚至被禁止在此阶段使用乐队的名称和标识。不过这件事对Black Flag毫无影响，他们在两年内疯狂巡演，在高峰时期甚至还秘密发行了一张粗糙的精选双专辑《Everything Went Black》。老天有眼，1983年，麒麟公司宣告破产，这场官司最终不了了之。或许想追回以前的时间，乐队从1984年起开始变得难以置信的多产。到1985年共完成了《My War》、《Family Man》、《Slip It In》、《Live '84》、《Loose Nut》、《The Process of Weeding Out》等九张专辑，Black Flag的事业达到了巅峰。

　　这个时期Black Flag不仅在音乐上取得了空前的成功，更为重要的是他们的SST公司为推进硬核摇滚的发展作出了突出的贡献。SST的空前成功导致了乐队元老Greg Ginn在1986年突然决定解散Black Flag，以便把精力更多地投入到公司事务当中。他的决定当然有他的道理，一切革命都需要有领导者，而SST正是硬核革命领导者的最佳人选。SST最辉煌的时期旗下拥有一批重量级的硬核乐队——Black Flag、Husker Du、Meat Puppets(肉偶)、Descendents(世袭)、Minutemen(民兵)、Bad Brains(坏脑)、fIREHOSE(消防水管)、Buffalo Tom(布法罗·汤姆)、Soundgarden(音响花园)、Sonic Youth(音速青年)、Screaming Trees(尖叫的树)……这些乐队的重要性不言而喻，他们的影响力一直延续到今天，为日后非主流、独立摇滚的指明了方向。这段时期的乐队体现出了前所未有的创造力和艺术感染力：Husker Du的优雅、Bad Brains的超级速度、Sonic Youth的噪音试验、Minutemen的爵士乐风采、Meat Puppets的乡村味道……没有什么遗憾，没有黯然神伤，尽管这个辉煌的时代最终在九十年代左右随着SST公司的明星乐队相继解散或加入主流大唱片公司而结束，但他们已经赋予了这个时代最真实的声音和最危险的激情。 《 Damaged 》好象就这一张
Depression
Gimmie Gimmie Gimmie
Police Story
Rise Above
Six Pack
Spray Paint
TV Party
这么几首歌 摇滚年有黑旗的全部专辑介绍

http://www.rockyear.com/bands/d_bands.asp?tag=blackf In many ways, Black Flag were the definitive Los Angeles hardcore punk band. Although their music flirted with heavy metal and experimental noise and jazz more than that of most hardcore bands, they defined the image and the aesthetic. Through their ceaseless touring, the band cultivated the American underground punk scene; every year, Black Flag played in every area of the U.S., influencing countless numbers of bands. Although their recording career was hampered by a draining lawsuit, which was followed by a seemingly endless stream of independently released records, the band was unquestionably one of the most influential American post-punk bands. A full decade and a half before the fusion of punk and metal became popular, Black Flag created a ferocious, edgy, and ironic amalgam of underground aesthetics and gut-pounding metal. Their lyrics alluded to social criticism and a political viewpoint, but it was all conveyed as seething, cynical angst, which was occasionally very funny. Furthermore, Black Flag demonstrated an affection for bohemia -- both in terms of musical experimentation and a fondness for poetry -- that reiterated the band's underground roots and prevented it from becoming nothing but a heavy metal group. And it didn't matter who was in the band -- throughout the years, the lineup changed numerous times -- because the Black Flag name and four-bar logo became punk institutions.
　　
　　
　　Black Flag was formed in 1977 by guitarist Greg Ginn, a graduate of UCLA. Ginn formed the band with bassist Chuck Dukowski; the pair soon added drummer Brian Migdol and vocalist Keith Morris. At the same time, Ginn and Dukowski formed an independent record label, SST, which released the band's first EP, Nervous Breakdown, in 1978. Morris and Migdol departed the following year -- Morris went on to form the Circle Jerks -- and they were respectively replaced with Chavo Pederast and Robo. By the release of 1980's Jealous Again, Black Flag had begun to tour the U.S. relentlessly, building up a small, but dedicated, following of fans. After the release of Jealous Again, Pederast left the group and was replaced by Dez Cadena. However, Cadena preferred to play guitar, and his transition to that instrument in 1981 gave the group a heavier sound; his replacement on vocals was Henry Rollins, a Washington, D.C., fan who jumped on-stage to sing with the band during a New York performance.
　　
　　
　　Early in 1981, Black Flag signed a record contract with Unicorn Records, a subsidiary of MCA. The band delivered their first full-length album, Damaged, to Unicorn; the label refused to release the record, citing the content of the music as too dangerous and vulgar. Undaunted, Ginn released the album on his own SST Records. Upon its release, the album received considerable critical acclaim. Soon after it appeared on the shelves, Unicorn sued Black Flag and SST over the release of Damaged. For the next two years, the band was prevented from using the name Black Flag or their logo on any records. During that time, the group continued to tour, and surreptitiously released Everything Went Black, a double-album retrospective that contained no mention of the band, although it listed the names of the members on the front cover. The dispute ended in 1983, when Unicorn went bankrupt and the rights to the Black Flag name and logo reverted back to the band (by this time, Cadena had left to form his own group).
　　
　　
　　As if to make up for lost time, Black Flag became impossibly prolific when it returned to recording in 1984. A new version of the group -- featuring Ginn on guitar and bass (the latter was credited to the pseudonym Dale Nixon), Rollins, and drummer Bill Stevenson -- recorded the albums My War and Family Man. After those two albums were recorded, the group added bassist Kira Roessler and cut Slip It In, its third official album of 1984. In addition to those three albums, Black Flag released the cassette-only Live '84 and the compilation The First Four Years in 1984, as well as reissuing Everything Went Black with all the proper credits restored. The group's touring and recording pace didn't slow in 1985; they released three records: Loose Nut, The Process of Weeding Out, and In My Head. By the end of the year, Anthony Martinez replaced Stevenson on drums.
　　
　　
　　After Black Flag released the live album Who's Got the 10? in early 1986, Greg Ginn broke up the band. Ginn recorded two albums with the more experimental Gone, but he primarily concentrated on running SST Records, which had become one of the most important American independent labels of the era. By the time Black Flag broke up, SST had already released albums by such bands as H黶ker D?/a>, the Minutemen, Meat Puppets, and Sonic Youth. For most of the late '80s, Ginn retired from performing, choosing to operate SST Records instead; during this time, the label released the first recordings from bands like Soundgarden, Dinosaur Jr., and Screaming Trees. Ginn returned to music in 1993, releasing a solo album on his new record label, Cruz.
　　
　　Following Black Flag's breakup, Henry Rollins formed the Rollins Band. For the rest of the '80s, he released music recorded with the Rollins Band on a variety of independent labels, as well as solo spoken-word recordings. In the early '90s, Rollins became one of the most recognizable figures of alternative music. ~ Stephen Thomas Erlewine, All Music Guide In many ways, Black Flag were the definitive Los Angeles hardcore punk band. Although their music flirted with heavy metal and experimental noise and jazz more than that of most hardcore bands, they defined the image and the aesthetic. Through their ceaseless touring, the band cultivated the American underground punk scene; every year, Black Flag played in every area of the U.S., influencing countless numbers of bands. Although their recording career was hampered by a draining lawsuit, which was followed by a seemingly endless stream of independently released records, the band was unquestionably one of the most influential American post-punk bands. A full decade and a half before the fusion of punk and metal became popular, Black Flag created a ferocious, edgy, and ironic amalgam of underground aesthetics and gut-pounding metal. Their lyrics alluded to social criticism and a political viewpoint, but it was all conveyed as seething, cynical angst, which was occasionally very funny. Furthermore, Black Flag demonstrated an affection for bohemia -- both in terms of musical experimentation and a fondness for poetry -- that reiterated the band's underground roots and prevented it from becoming nothing but a heavy metal group. And it didn't matter who was in the band -- throughout the years, the lineup changed numerous times -- because the Black Flag name and four-bar logo became punk institutions.
　　
　　
　　Black Flag was formed in 1977 by guitarist Greg Ginn, a graduate of UCLA. Ginn formed the band with bassist Chuck Dukowski; the pair soon added drummer Brian Migdol and vocalist Keith Morris. At the same time, Ginn and Dukowski formed an independent record label, SST, which released the band's first EP, Nervous Breakdown, in 1978. Morris and Migdol departed the following year -- Morris went on to form the Circle Jerks -- and they were respectively replaced with Chavo Pederast and Robo. By the release of 1980's Jealous Again, Black Flag had begun to tour the U.S. relentlessly, building up a small, but dedicated, following of fans. After the release of Jealous Again, Pederast left the group and was replaced by Dez Cadena. However, Cadena preferred to play guitar, and his transition to that instrument in 1981 gave the group a heavier sound; his replacement on vocals was Henry Rollins, a Washington, D.C., fan who jumped on-stage to sing with the band during a New York performance.
　　
　　
　　Early in 1981, Black Flag signed a record contract with Unicorn Records, a subsidiary of MCA. The band delivered their first full-length album, Damaged, to Unicorn; the label refused to release the record, citing the content of the music as too dangerous and vulgar. Undaunted, Ginn released the album on his own SST Records. Upon its release, the album received considerable critical acclaim. Soon after it appeared on the shelves, Unicorn sued Black Flag and SST over the release of Damaged. For the next two years, the band was prevented from using the name Black Flag or their logo on any records. During that time, the group continued to tour, and surreptitiously released Everything Went Black, a double-album retrospective that contained no mention of the band, although it listed the names of the members on the front cover. The dispute ended in 1983, when Unicorn went bankrupt and the rights to the Black Flag name and logo reverted back to the band (by this time, Cadena had left to form his own group).
　　
　　
　　As if to make up for lost time, Black Flag became impossibly prolific when it returned to recording in 1984. A new version of the group -- featuring Ginn on guitar and bass (the latter was credited to the pseudonym Dale Nixon), Rollins, and drummer Bill Stevenson -- recorded the albums My War and Family Man. After those two albums were recorded, the group added bassist Kira Roessler and cut Slip It In, its third official album of 1984. In addition to those three albums, Black Flag released the cassette-only Live '84 and the compilation The First Four Years in 1984, as well as reissuing Everything Went Black with all the proper credits restored. The group's touring and recording pace didn't slow in 1985; they released three records: Loose Nut, The Process of Weeding Out, and In My Head. By the end of the year, Anthony Martinez replaced Stevenson on drums.
　　
　　
　　After Black Flag released the live album Who's Got the 10? in early 1986, Greg Ginn broke up the band. Ginn recorded two albums with the more experimental Gone, but he primarily concentrated on running SST Records, which had become one of the most important American independent labels of the era. By the time Black Flag broke up, SST had already released albums by such bands as Hker D?/a>, the Minutemen, Meat Puppets, and Sonic Youth. For most of the late '80s, Ginn retired from performing, choosing to operate SST Records instead; during this time, the label released the first recordings from bands like Soundgarden, Dinosaur Jr., and Screaming Trees. Ginn returned to music in 1993, releasing a solo album on his new record label, Cruz.
　　
　　Following Black Flag's breakup, Henry Rollins formed the Rollins Band. For the rest of the '80s, he released music recorded with the Rollins Band on a variety of independent labels, as well as solo spoken-word recordings. In the early '90s, Rollins became one of the most recognizable figures of alternative music. ~ Stephen Thomas Erlewine, All Music Guide 直译是：
黑旗 黑旗。
在赛车运动中代表被取消比赛资格 黑旗（表示囚犯已被处决）；海盗旗；黑旗令（赛车可能有故障）